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A detailed sculpture hauled out of storage at Swansea University in Wales depicts the brass of thefamous female Pharaoh of Egypt Hatshepsut .
The limestone patch was n’t expect to be so challenging . A part of the former collection of former pharmaceutical entrepreneur Henry Wellcome , the patch had been boxed up at Swansea since about 1971 , say university Egyptologist Ken Griffin . After finding a black - and - clean photograph of the piece a year ago , Griffin request that it be bring out of reposition for an artefact - handling session with Egyptology students . When he saw it in individual , he immediately realized it was something unexpected . [ In Photos : The Life and Death of King Tut ]
" It was unbelievably exciting , not just for me , but for the students , " Griffin pronounce .
Unexpected discovery
The cutting comprise of two glue shard , together a little larger than a dinner plate . On the front is a carved head in profile , with much of the case offend off . Hieroglyphs embellish the space above the figure ’s eyebrow . On the back of the upper fragment is a unknown fond cutting of a man ’s chin and beard .
Originally , the piece was thought to particular date to the 11thdynasty of Egypt , which ran from the other 2000s B.C. to about 1991 B.C , Griffin told Live Science . However , he add , as soon as he see the piece in person , he realized it was actually from the eighteenth dynasty , which spanned from about 1500 B.C. to 1292 B.C.
" The hairstyle ; the way the side is done , include the optic ; every little detail ; the fan behind the caput , " Griffin said , listing a few of the aesthetic flourishes that screamed " eighteenth dynasty " to him . The limestone was also of the colour and type witness at the tabernacle of Hatshepsut atDeir el - Bahrinear Luxor . clinch the designation of the figure as the distaff Pharaoh of Egypt was a womanly " S " hieroglyph above the head , Griffin said .
Editing history
regrettably , the opus does n’t hold much new data aboutHatshepsut herself , who reigned between about 1478 B.C. and 1458 B.C. It ’s not strange to feel fragment from Deir el - Bahri in scatter Egyptology collections around the world , Griffin said ; in the late 1800s , treasure hunter lifted carvings from ancient sites wholesale .
" It seems that anyone blend in on vacation could have picked up various fragments and impart them home base , " Griffin say .
The sculpture endure witness to this casual attitude toward historic artifacts , he enjoin . On the back of the top fragment is the fond sculpture of a man ’s Kuki-Chin and beard . This opus , if detached , would fit like a puzzle piece against the original broken - off face of Hatshepsut . Most likely , a previous 19th - C or early 20th - century auctioneer or antiques dealer make up one’s mind the carving would be more valuable if " consummate , " Griffin said . Not realizing that the carving on the front was female , the dealer mock up a virile chin to add to the original cutting . ( Hatshepsut was oftendepicted with the royal beard , befitting her status as pharaoh , Griffin say , but the beard in the carving is a short one of the character typically worn by lower - position officials . )
" They ’ve basically break Hatshepsut a new brass , not realizing that it was female , so they ’ve done it with a little beard , " Griffin said .
The bit wo n’t be going back on mothballs anytime soon . It ’s now on presentation at Swansea ’s Egypt Centre . And Griffin said he has his eye on a few more potentially mysterious pieces in the university ’s assemblage .
" We ’ve got another two manipulation sessions come up after Easter , " he said , " and you never know what you ’ll discover . "
Originally published onLive Science .
